When Anita says, "…let me put you in the picture", she wants to introduce the situation for the benefit of the readers.
NCERT Solutions Poorvi Chapter 3 My Brother's Great Invention — Let us think and reflect
Book page 99 to 101 Updated on2026-09-05
A. dismantling and creating
B. creative and experimental
The two views are almost exact opposites, and that gap is where the humour of the story lives.
| Point | What Anand thinks of himself | What Anita thinks of him |
|---|---|---|
| Who he is | A scientist and 'a genius' with real projects and 'blueprints' | A boy who only thinks he is a scientist — 'The trouble with him is that he thinks he is a scientist.' |
| His work | Carefully planned inventions — 'Nothing will go wrong this time. I've planned it out carefully.' | 'Inventions' in inverted commas 'that never work out as they are supposed to' |
| Effect on others | He is offended when the family shows 'lack of respect for his creation' | A nuisance who gets on Papa's nerves and frightens people half to death |
Anand sees himself as a misunderstood inventor; Anita sees an untidy, over-confident younger brother whose schemes end in a soaked father. Yet her tone is affectionate teasing rather than dislike — she still helps him, and at the end she reports his next project with a smile.
Anita was angry with Anand because he had deliberately misdirected the thief into his own room instead of sending him upstairs to their father's room, and she was sure that Boppa would find nothing valuable there, realise he had been fooled, and come back 'as mad as mad can be'.
The moment Boppa demands, "Now, where is your father's room?", Anand answers instantly and untruthfully — "The one next to this one" — sending the thief into his own room instead of upstairs.
B. Anand's time machine getting activated
(c) C and E — the atmosphere is tense and suspenseful.
| Character | Traits | Evidence from the Text |
|---|---|---|
| Anand | 1. bothersome (given) | And this is not the first time he's got on Papa's nerves or frightened someone half to death in the house. |
| 2. creative | He loves tinkering with all sorts of electrical gadgets, tools, dynamos, planks of wood, and things like that. And he keeps creating 'inventions' that never work out as they are supposed to. | |
| 3. confident | "Nothing will go wrong this time. I've planned it out carefully. See the blueprint." | |
| Anita | 1. responsible | "We're old enough to look after ourselves, Ma…" |
| 2. curious | "But how does the alarm know that a burglar is opening the door?" | |
| 3. careful | "Now clean up this mess before anyone gets home." |
There had been a rush of thefts in the colony, and Anand 'got it into his head that what was needed was a burglar alarm'.
He waited for the house to empty — 'the minute Papa left for the office and Ma for the market' — and started at once on his 'latest scheme', complete with a blueprint of doors, wires and bells, and a water bag rigged to fall on the thief's head.
Because of the one detail Anand was proudest of. He had rigged the alarm 'so that the alarm works only when the door is opened gently' — his reasoning being that 'a thief tries to open the door stealthily'.
Unluckily, Papa always opens the door softly. So the first person to open the front door quietly that evening was not a burglar but Papa. The bell clanged, the water bag was loosened, and Papa was left on the doorstep 'sopping wet and scowling', roaring, "Who put that water bag here?"
- Papa reacts with anger and firm bans. After the water bag he says grimly, "I want to know who is behind this nonsense," and later, "When I say NO, I mean NO," glaring. He locks up his tool box and hides the key, and in the end has the time machine dismantled because he thinks it is unsafe.
- Ma is protective and soothing. She explains the alarm to Papa 'in a soothing voice', notices Anand's 'crestfallen look' and pleads, "Poor boy… At least let's take a look at it" — but she also keeps 'a wary eye on her oven and mixer' and makes him promise not to touch the machine while they are away.
- Anita is amused, sceptical and careful to stay out of trouble. She helps him although she would rather finish her novel, warns him twice — "If you get a shelling, don't bring me in" — and quietly doubts 'the alarm's guessing powers', keeping her doubts to herself 'because when Anand is in one of his inventive moods, nothing stops him'.
He became completely absorbed and completely impossible to live with.
- He took apart every gadget in the house to collect parts, which is why Papa locked the tool box and Ma guarded her oven and mixer.
- He filled the house with noise — 'hammering and sawing and clattering'.
- He turned his room into 'a network of wires, springs, levers, and bulbs' with 'an enormous panel which was to be control switchboard', and would not let anyone in.
- He stopped looking after himself: 'he went around looking like a savage. When Ma didn't notice, the fellow didn't even comb his hair.'
- He worked at it for 'a fortnight of frantic activity' without a break.
Because a grown-up simply cannot accept that a thirteen-year-old's bedroom contraption has sent a man into the past. When Anand bursts out, "My time machine! He's gone through that!", Mr. Sharma only smiles 'indulgently' and says, "What an imagination this boy has! Now off to bed, both of you."
He had a reasonable explanation ready — Mrs. Sharma had already said, "maybe he did run out and we missed him" — and to an adult a thief slipping away unnoticed is far likelier than time travel.
Your ending should (a) stay in Anita's voice and her light, teasing tone, (b) settle what happened to Boppa, and (c) leave a small doubt, because the whole story is built on 'maybe it worked, maybe it didn't'. Two ways to go — the scientific ending or the fantastic one.
Sample answer (fantastic ending):
Three months later a letter came for Papa from a friend in the Archaeological Survey. Inside was a photograph of a mural dug up near Kharagpur, painted, they thought, some four hundred years ago. It showed a village crowd, a bullock cart — and, at the edge, a startled-looking man with a short thick stick and a green cloth knotted round his neck. Anand did not say a word. He only cut out the photograph, pinned it above his desk, and went back to soldering his telephone for outer space. Papa looked at the picture for a long time that evening, and then, without explaining himself, he took the key of the tool box out of his pocket and left it on Anand's table.
Sample answer (realistic ending):
Two weeks later, Sharma Uncle read out a small item from the newspaper: a man had been caught in Howrah trying to sell a bag of stolen taps and doorknobs. The police said he kept babbling about a room full of lights that whined at him in the dark, and that he refused to go near any house that had wires showing. He never came back to our colony. 'You see,' said Anand calmly, 'it worked. It just didn't send him very far.'