| Blank | Word | Line in the poem |
|---|---|---|
| 1 | stones | “has got a garden full of stones” |
| 2 | path | “A crazy path, a lily pond,” |
| 3 | sundial | “A sundial with a strange device,” |
| 4 | delicate | “They are so delicate and small,” |
| 5 | pin | “unless she plants them with a pin.” |
| 6 | flower | “We stood and talked about a flower” |
| 7 | lovely | “Where is this lovely thing?” I cried. |
| 8 | standing | “You’re standing on it,” she replied. |
NCERT Solutions Poorvi Chapter 1 –20A Concrete Example (poem by Reginald Arkell) — Let us discuss
Book page 19 Updated on2026-09-05
D. (ii), (iv), and (v) — humorous, amusing and light-hearted.
- Mournful is plainly wrong — nothing in the poem is sad. Any option containing (iii) can be struck out at once, which removes A and C.
- Mocking is the harder one, and it is what separates B from D. To mock is to laugh at someone with contempt. The speaker teases Mrs. Jones, but he never sneers — and the last line turns the joke onto himself, not her. A mocking poem would have ended with her looking foolish; this one ends with the speaker standing on a flower.
(ii) the poet
The poem is in the first person — “I can’t think how she gets them in”, “‘Where is this lovely thing?’ I cried” — and the speaker calls Mrs. Jones “My next-door neighbour”. So the voice belongs to the adult neighbour who lives beside her, that is, the poet himself.
(i) AABBCC
| Line | Stanza 1 | Rhyme |
|---|---|---|
| 1 | My next-door neighbour, Mrs. Jones, | A |
| 2 | has got a garden full of stones: | A |
| 3 | A crazy path, a lily pond, | B |
| 4 | a rockery and, just beyond | B |
| 5 | A sundial with a strange device, | C |
| 6 | which Mrs. Jones thinks rather nice. | C |
The other two stanzas follow the same plan: Jones/stones — small/all — in/pin, and Jones/stones — flower/hour — cried/replied.
… in order to emphasise her obsession with a stony garden.
… that help readers visualise the garden’s peculiar nature.
| Line | Alliteration | Repeated sound |
|---|---|---|
| “My next-door neighbour, Mrs. Jones,” | next-door neighbour | /n/ |
| “has got a garden full of stones” | got a garden | /g/ |
| “puts little plants between the stones” | puts … plants | /p/ |
| “unless she plants them with a pin” | plants … pin | /p/ |
| “for quite a quarter of an hour” | quite a quarter | /kw/ |
The refrain is the opening line of every stanza:
“My next-door neighbour, Mrs. Jones,”
and it is followed each time by a second line ending in the same word, stones:
- “has got a garden full of stones:”
- “puts little plants between the stones”
- “once asked me round to see her stones.”
The closing couplet:
“Where is this lovely thing?” I cried.
“You’re standing on it,” she replied.
The word ‘concrete’ can refer to the hard, stony materials that fill it — the crazy paving of the path, the rockery, the stone sundial and the stones between which she plants her tiny plants — rather than to earth and greenery.
… a clear or ‘concrete’ example of Mrs. Jones’ peculiar (eccentric, unusual) gardening habits.
How the pun in the title works. One phrase, read two ways, and both readings are true of the poem:
| Reading | Meaning of ‘concrete’ | What it points to in the poem |
|---|---|---|
| literal | stone, paving, hard material | a garden made of a crazy path, a rockery, pebbles and a stone sundial — a concrete example of a garden |
| symbolic | definite, clear, particular | the closing incident, which is a concrete example of just how peculiar Mrs. Jones’ taste is |
Two puns of your own, on the pattern of the examples given:
- I asked the gardener why his plants were so short. He said he had no grounds for complaint. (grounds = garden land / reasons)
- The sundial and I never quarrel — we simply have our time apart. (time = the hours it keeps / time spent away)