NCERT Solutions Exploring Society: India and Beyond Chapter 8 Fig. 8.2 and the chapter-opening pictures of Fig. 8.1 — LET'S EXPLORE

Book page 168 Updated on2026-09-05

Q1.
Do any of the pictures look familiar to you? Can you name similar places found in your neighbourhood?
Answer

Start by naming what the pictures actually show, then match each type to your own surroundings.

In the picturesWhat kind of sacred place it isLook for this near you
Fig. 8.1 — stone temples among tall deodar treesA temple complex in a forestYour village or town temple, especially one in a grove or on a hill
Fig. 8.1 — rows of lit diyas floating on a river at duskA river ghat used for worshipThe ghat, tank or riverbank where your town holds aarti or immersion
Fig. 8.1 — a white stūpa on a bare mountainA Buddhist stūpaA stūpa, vihāra or monastery, if there is one in your district
Fig. 8.1 — a shrine standing in the middle of a temple tankA sacred water bodyThe temple tank, kunḍ, stepwell or pond people keep clean for rituals
Fig. 8.1 — upright stones in an open fieldSacred stones / a tribal or folk shrineVillage boundary stones, a devgudi, a gramadevatā platform
Fig. 8.1 — tree roots covered with threads, lemons and kumkumA sacred treeThe peepul, banyan or neem near your school that people circle and tie threads on
Fig. 8.2 — a crowded dargah, a mosque, a synagogue interior, a fire templeShrines of Islam, Judaism and ZoroastrianismA dargah, mosque, church, gurdwara, agiary or synagogue in your city
Sample answer: “Yes — the picture of the tree hung with threads and lemons is very familiar. There is an old peepul tree at the corner of our street; people tie red threads around it, put kumkum on the trunk and no one cuts its branches. The picture of the river with lamps is like the Ganga ghat we visit at Kartik Purnima. Near my home there is also a small hill temple that we climb on foot during the festival, a dargah where people of every community tie threads at the window, and a church at the end of the market road.”
Why the book asks this first: to show that ‘sacred geography' is not something distant and ancient. It is the ordinary map of your own neighbourhood — a tree, a tank, a hill, a shrine — read with different eyes.
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